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Mythical Cognition and Artistic Method - Pages 3195-3199 Zhazira Kokbas, Zhanat Aimukhambet, Karlygash Kurmambayeva, Nurgul Smagulova and Mendykyz Yesmatova DOI: https://doi.org/10.6000/1929-4409.2020.09.386 Published: 31 December 2020 |
Abstract: The aim of the study is to research mythical cognition, which is of particular importance for deep understanding of the issue of mythologism, mythopoetics in literature, and world literary science. The leading research methods for this issue is the analysis method. The specifics of using the mythopoetic method in poetry was given by the poetry of Tynyshtykbek Abdikakimov, the artistic and aesthetic value of mythical knowledge was revealed. The article also analyses the differences between mythological and poetic cognition and proves the value and power of the mythopoetic method in fiction. The system of mythological thinking of a mythological worldview not only determines Kazakh national worldview, but also transfers the fruits of mythical consciousness to the visual system, forming a huge channel of artistic approach. The novelty of the study is determined by the fact that the actual problem of literary criticism was analysed, which is a spiritual value, the transformation of mythological consciousness into poetic consciousness in the poems of the poet, into the basis of images and poetic expressions formed in the system of modern literary thinking. The practical significance of the study is determined by the necessity to study the activity of mythical knowledge in poetics. Keywords: Mythical aspects, author’s work, mythopoetics, poetry, symbol, image. |
Mythological Thinking and Philosophy - Pages 2554-2558 Kondratiev Konstantin Vladimirovich DOI: https://doi.org/10.6000/1929-4409.2020.09.313 Published: 30 December 2020 |
Abstract: The article's primary purpose is to analyze the problems of the emergence of philosophy against the background of myth and the correlation of mythical and philosophical styles of thinking. The author substantiates the question of myth theories that do not consider the bearer's inner conviction of mythological thinking in the absolute reality of events and characters described in myths. The main features of the myth as the most ancient form of social consciousness are revealed: absolute subjective certainty, anonymity, which is expressed in an unconscious type of authorship, as well as a specific explanatory function, the essence of which is to implement the solution for a cognitive task before this task itself can be set and consciously formulated. Myth cannot be considered pre-scientific thinking, as an early form of folk art, or as primitive forms of religious worship. The crisis of mythology, which consists of its inability to perform its explanatory function, in turn, generates three new types of social consciousness: epic and other types of the poetry of personal authorship, religious teachings as a system of dogmas and organized cult actions, propagated by the prophets and supported by the priests, and philosophical thinking as a form of conscious intellectual creativity, the reliability of the results of which is supported by the personal wisdom of its author. Keywords: Mythology, Philosophy, Genesis of Philosophy, Pre-Philosophy, Thinking. |
Names of Zero Suffixation in Russian Proverbs and Sayings - Pages 2250-2256 Chan Wanjun, Tatyana Alexandrovna Korneyeva and Tatyana Damirovna Markova DOI: https://doi.org/10.6000/1929-4409.2020.09.267 Published: 27 December 2020 |
Abstract: The problem statement is to study zero exponents' text-forming function in texts of different genres and styles. The object of the study is the usual names of zero suffixation in the Russian language and the features of their functioning in the works of small folklore genres – proverbs and sayings. The purpose of the paper is to identify the main word-formation types of names of zero suffixation presented in proverbs and sayings, to evaluate their role in organizing the literary space of utterances. Leading research methods are theoretical analysis of scientific and educational literature on the topic, method of continuous sampling, language, speech and text analysis, structural and semantic analysis of language material, comparative and statistical methods, and lesson observation. The article reveals the frequency of the use of certain word-formation types of names of zero suffixation (deverbal, denominal, adjective-based) in individual proverbs and sayings, points out the frequency of unprefixed names of zero suffixation, shows the features of compatibility of deverbatives, their place in the meaningful and rhythmic construction of proverbs and sayings. The figural and expressive properties of these formations are considered. The applied significance of the study and the possibility of using the results for linguodidactic purposes of teaching Russian as a native and as a foreign language are emphasized. Keywords: Word Formation, Zero Suffixation, Text-Forming Function, Russian proverbs, Russian sayings. |
Mythopoetic and Realistic Image of the Native Land in the Works of Modern Writers - Pages 1072-1076 Gulshat lshatovna Nureeva, Gelyusya Faridovna Kayumova, Liailia Ihsanovna Mingazova and Alexander Victorovich Petrov DOI: https://doi.org/10.6000/1929-4409.2020.09.123 Published: 09 November 2020 |
Abstract: The article explores the specifics of the embodiment of the image of the native land in the works of modern writers. After the years of Soviet power, when a person was evaluated as a cog, nature as a source of resources, society overestimates the value system. Quite well-known works appear condemning the rejection of man as a person, works of an ecological nature. In this article, a rethinking of attitude to nature, to the native land is considered through the prism of a number of works by venerable writers about the native land, more often - about the native village. Distinctive features of the perception of the native land in these works is the personally significant perception of the homeland, its understanding as part of itself, its past, present and future, in contrast to Soviet literature, in which the narrator was aimed at perceiving the homeland in the present and illusory beautiful future. Sources are the stories of M. Galiev, G. Gilmanov, M. Vali-Bardzhily. The creativity of each of these authors was considered to varying degrees by scientists from the point of view of aesthetic value, poetics, and problems. However, the native land was considered more as a subject of works, rather than an independent image, which is an indicator of the life values and philosophy of writers. In this article, using the works of these writers as an example, the depth of the image of the native land is shown, understanding it not only as nature or the place where you were born, but as a source of strength. Keywords: Homeland, homeland, mythopoetics, image, place of power, thanatological motive. |
New Economic Geography and the Conception of Social Factors of Criminality: Areas of Common Interest and Prospects for Synthesis DOI: http://dx.doi.org/10.6000/1929-4409.2014.03.07 Published: 10 March 2014 |
Abstract: The article discusses the application of «new economic geography» in investigating the reasons for territorial distinctions and other factors of criminality. Keywords: Criminality factors, territorial distinctions of criminality, new economic geography.Download Full Article |